Taoism forms the core of my aesthetic. From my years as a potter, observing and interacting with elemental processes of Earth,Wood, Metal, Fire and Water I have preferred what can best be described as "the Natural" in Art.
Fine Art
Fine Art is, for me, the application of fine Craftsmanship. When it is presented in certain venues, art, in general terms, becomes a commodity.
Woodworking
Wood, next to ceramic, is an engaging material for me. I like the grain and flexibility of wood. I like the way wood ages like a good friend.
Music
I am an untutored admirer of the activity of making music. An extremely volatile and temporary art, music can be made concrete by recording it. But then, it still needs to be heard.
From the early 1980s through 2011 I did a lot of painting for Hospitality and Medical facilities. Most of my work from that time is what you will encounter in corridors and waiting spaces, often created at the direction of an Interior Designer for that facility. Since that time I have increasingly only made paintings when I have been compelled to re-imagine a scene I have enjoyed at my leisure.
I find photography, digital imaging and painting fairly interchangeable.
Bath House Beach, White Rock Lake, Dallas
Winfrey Point, White Rock Lake, Dallas
Masts at Sunset, White Rock Lake, Dallas
Dock at the Water Treatment Facility, White Rock Lake, Dallas
Tramell Crow Park, Trinity River, Dallas
White Flower
Walking Bridge
2010
Masts
2010
Masts Reflection
2010
Dragonfly
2010
Driftwood
2012
Hold
2012
Crow
2012
Ludic
2012
pHOTOGRPHY: bIRDS
Bird and Moon
2009
The Guys
2009
Homecoming
2009
Big Tree
2009
On the Edge
2009
Turning Away
2009
Redwings
2011
Koot 2
2011
Chicks
2009
OUR WORKS
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Corinthian Boat Club
White Rock Lake, Dallas, Tx
Grape Leaves
White Rock Lake, Dallas, Tx
Malachite
2012
Bamboo Hut
2011
Quilt
2009
Clouds
2009
Waves and Wood
2011
Coot
2009
Armadillo in the Sunset
2011
Stencil Collage
Torn paper in repeat patterns often placed over other solid images or layered with more stencils or sketched backgrounds. Photos are often manipulated to provide spaces to float the patterns over. The edges are mostly torn instead of cut to emphasize the nature of the paper itself and the fluidity of the process. The final image may be digitally printed, or the original collage may also be presented.
BRANDING PROJECT NO 1
A SUBTITLE
BRANDING PROJECT NO 2
A SUBTITLE
Mallow
2014
Ezra
2014
Monoprint
2014
Star of Bethleham pages
2014
Malachite NO 7
2105
Collage
2015
Coot 2
2014
OUR WORKS
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