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<\/a>Zebra Lines; where they begin and end is another line<\/p><\/div>\n
To begin with, the lines were just about extent and depth. ?Between the beginnings and ends there is a gap that describes another line.<\/p>\n
On each page there is a space defined and shaped by each of the lines reflected in the next.<\/p>\n
<\/a>'Range' -a small work on paper using grease pencil.<\/p><\/div>\n
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At the ?same time, I was working with the torn paper collages, so I began to draw my lines to reflect the meander and separation of torn paper, but in only two dimensions instead of the three that tearing paper ?creates.<\/p>\n
<\/a>Meander<\/p><\/div>\n
Again, essentially the lines look straight, but from an imagined perspective they would change directions but you can’t see that in two dimensions.<\/p>\n
It appears far-fetched! But i also found it interesting that between the change of direction on each side it was unclear that they were not separate lines, but one continuous one.<\/p>\n
<\/a>'Then' digital collage<\/p><\/div>\n
So to continue, by overlaying these elements with reverse and transparency I create a deeper sense of space, and perhaps a little mystery. ?The colors are what appeal to me at the time I am making these. ?There is the inevitable decision as to how best work one thing against another. ?I think that’s what keeps me going, always the open question, “What happens if I do this…?”<\/p>\n
<\/a>'Irinia'<\/p><\/div>\n
In so many ways the lines I was drawing then were a reflection of the kind of torn edge, but the torn edges seemed to become a little richer for the time spend rubbing grease and graphite into paper.<\/p>\n","protected":false},"excerpt":{"rendered":"
In August my drawings on graphite began to pile up. I began to scan and play them against each other with transparency and color. To begin with, the lines were just about extent and depth. ?Between the beginnings and ends … Continue reading